Cut to the Chase Barbershop · Design Study

Direction C — Black & Grey

Sepia stops being the theme and becomes the skin. Ink and grey wash do the work — heavy black linework, dotwork stipple shading, blackletter and sailor lettering. Every mark below is drawn as SVG, not a stock icon, so it recolors and scales like real flash.

Four heroes. Same ink, same greys, same drawings — different amount of black.

C1 · Flash SheetThe shop as a wall of flash. Parchment ground, black linework, stipple shading, blackletter name in the middle.
No. 1 — Anchor
No. 2 — Ship's Wheel
No. 3 — Razor
No. 4 — The Beard

Est. on the Sound

Cut to
the Chase

Barber & Shave

Fades, beards and hot-towel straight razor shaves. Walk in, sit down, leave sharper.

No. 5 — Lighthouse
No. 6 — Compass
No. 7 — Clipper
No. 8 — Wave
C2 · BlackworkMaximum black. Gothic wordmark in bone, a grey-wash clipper running off the right edge, nothing else.

Port Orchard, Washington · Two Shops on the Water

Cut to
the Chase

Barbershop

Clean fades, sculpted beards, hot-towel straight razor shaves. Cut by hand in a shipyard town.

C3 · ScrimshawEngraved on bone. Fine hatch texture, hairline rules, one big drawing. The quiet one — reads expensive.

Fades · Beards · Straight Razor

Cut to the Chase

Barber & Shave Parlour

Look good, feel good. Walk different, talk different — leave with a different level of confidence. That's the whole business plan.

EST. PNW
C4 · Deep WaterSplit. A traditional wave breaking out of the left panel, a true black-and-white photograph on the right — no warmth at all in the image.

Mile Hill Road · Bay Street

Cut to the Chase

Barbershop

Six barbers. Two shops. One straight razor line you can set your watch to.

Chair No. 1 — Mile Hill Road

PaletteGreyscale carries it. Skin is the only warm tone, aged ink is the only colour — and it's the blue-green real black ink fades to.
Ink#08090A
Iron#121417
Graphite#33383E
Wash#5B6167
Ash#868C93
Silver#B3B8BD
Bone#E7E3DA
Parchment#DDCEB2
Skin#CDB896
Aged Ink#4A5F60
ShadingHow black-and-grey actually gets made: solid black, dotwork stipple, whip-shade hatching, smooth wash. Used as section fills and hover states.

Solid black

Dotwork stipple

Whip shading

Grey wash

TypeTwo tattoo lettering styles + a sailor slab. Blackletter is the shop name; Rye is every label, button and price.
DisplayUnifrakturCook 700
Cut to the Chase
Alt displayPirata One
Hot Towel Shave
ScriptMrs Saint Delafield
Barber & Shave Parlour
Labels & buttonsRye
BOOK YOUR BARBER · WALK-INS WELCOME
BodySpectral
Six barbers, one shop, six independent books. Find your barber, tap Book, and you're in their calendar — not a queue. Walk-ins welcome at Mile Hill; Bay Street runs by appointment.
Photo treatmentThe real decision. Direction B's sepia vs. true black-and-grey vs. black-and-grey with an aged-ink tint in the shadows.

A · Sepia (Direction B)

B · True black & grey

C · Black & grey, aged-ink tint

ComponentsBarber cards numbered like chairs, with the flash mark as the section stamp.
Chair No. 1

Chase

the name on the door

Building the shop, the crew and the culture — one chair at a time.

Book on Square
Chair No. 2

Frank

fades that fade

Clean, fast, and dialed in on the details.

Book on Booksy
Chair No. 3

Ryan

crown & razor

Classic cuts, sharp beard work, and a straight razor line you can set your watch to.

Book on Booksy

The drawings are the system — anchor, wheel, razor, beard, lighthouse, compass, clipper, wave. They work as hero art (C2, C4), as a flash wall (C1), as a single engraved plate (C3), and shrink down to section marks and chair numbers throughout the site.